000			01520nam a2200229 a 4500
005			20160408122505.0
008			141201s2010 xx 000 0 und d
020			_a9781841137254
040			_aMAIN
041			_aEnglish
082			_a343.09946 _bGRE/FIL
100			_aGreenfield, Steve
245			_aFilm and the law _cby Steve Greenfield, Guy Osborn, and Peter Robson.
250			_a2nd ed.
260			_aUK : _bHart Pub., _c2010.
300			_a343 p.
500			_aTable of contents: Chapter 1. Film and the law : an orientation Chapter 2. The penetration of law and film Chapter 3. Theoretical underpinnings and physical boundaries : defining the territory Chapter 4. Strictly courtroom? : law film and genre Chapter 5. The British law film : from genre to iconography Chapter 6. Military justice on screen Chapter 7. Assessing cinematic lawyers (I) : heroes and villains Chapter 8. Assessing cinematic lawyers (II) : alternative categorisations Chapter 9. Missing in action (I) : judges Chapter 10. Missing in action (II) : juries Chapter 11. Fact, fiction, and the cinema of justice (I) : presumed accurate? Chapter 12. Fact, fiction, and the cinema of justice (II) : specificities Chapter 13. Love vigilantes : private eyes and beyond Chapter 14. Playing with a different sex Chapter 15. Minority report? : ethnicity in films Chapter 16. Future trajectories and possibilities.
650			_aMedia Law.
700			_aOsborn, Guy
700			_aRobson, Peter
942			_cBK
999			_c7889 _d7889