000			01261nam a22001937a 4500
005			20160912115708.0
008			160912b2015 xxu||||| |||| 00| 0 eng d
020			_a9781783478194
040			_aMAIN
041			_aEnglish
082			_a346.0482 _bRAH/CON
100			_aRahmatian, Andreas (Ed.)
245			_aConcepts of music and copyright : _bhow music perceives itself and how copyright perceives music _cedited by Andreas Rahmatian.
260			_aCheltenham : _bEdward Elgar, _c2015.
300			_a231 p.
500			_aTable of Contents: Chapter 1. Introduction Chapter 2. What is a "musical work"? : reflections on the origins of the "work concept" in western art music Chapter 3. Music performed : what is beyond the score? Chapter 4. Creativity and possessive interests Chapter 5. The elements of music relevant for copyright protection Chapter 6. Who wrote Duke Ellington's music? : authorship and collective creativity in "Mood indigo" Chapter 7. Music and co-authorship/co-ownership Chapter 8. For the benefit of all musicians? : the Musicians' Union and performers' rights in the UK Chapter 9. How notice-and-takedown regimes create markets for music on YouTube : an empirical study
650			_aCopyright--Music.
942			_cBK
999			_c14767 _d14767