Film and the law
by Steve Greenfield, Guy Osborn, and Peter Robson.
- 2nd ed.
- UK : Hart Pub., 2010.
- 343 p.
Table of contents: Chapter 1. Film and the law : an orientation Chapter 2. The penetration of law and film Chapter 3. Theoretical underpinnings and physical boundaries : defining the territory Chapter 4. Strictly courtroom? : law film and genre Chapter 5. The British law film : from genre to iconography Chapter 6. Military justice on screen Chapter 7. Assessing cinematic lawyers (I) : heroes and villains Chapter 8. Assessing cinematic lawyers (II) : alternative categorisations Chapter 9. Missing in action (I) : judges Chapter 10. Missing in action (II) : juries Chapter 11. Fact, fiction, and the cinema of justice (I) : presumed accurate? Chapter 12. Fact, fiction, and the cinema of justice (II) : specificities Chapter 13. Love vigilantes : private eyes and beyond Chapter 14. Playing with a different sex Chapter 15. Minority report? : ethnicity in films Chapter 16. Future trajectories and possibilities.