Concepts of music and copyright : how music perceives itself and how copyright perceives music
edited by Andreas Rahmatian.
- Cheltenham : Edward Elgar, 2015.
- 231 p.
Table of Contents: Chapter 1. Introduction Chapter 2. What is a "musical work"? : reflections on the origins of the "work concept" in western art music Chapter 3. Music performed : what is beyond the score? Chapter 4. Creativity and possessive interests Chapter 5. The elements of music relevant for copyright protection Chapter 6. Who wrote Duke Ellington's music? : authorship and collective creativity in "Mood indigo" Chapter 7. Music and co-authorship/co-ownership Chapter 8. For the benefit of all musicians? : the Musicians' Union and performers' rights in the UK Chapter 9. How notice-and-takedown regimes create markets for music on YouTube : an empirical study