Concepts of music and copyright : how music perceives itself and how copyright perceives music edited by Andreas Rahmatian.
Material type:
TextLanguage: Publication details: Cheltenham : Edward Elgar, 2015.Description: 231 pISBN: - 9781783478194
- 346.0482 RAH/CON
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NLUO | NLUO | 346.0482 RAH/CON (Browse shelf(Opens below)) | Available | 13347 |
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| 346.0482 MOR/LEG Legal Protection of Software : | 346.0482 NAR/LAW Law of Copyright and Industrial Designs | 346.0482 NAR/LAW Law of Copyright and Industrial Designs | 346.0482 RAH/CON Concepts of music and copyright : | 346.0482 RAJ/MOR Moral Rights : | 346.0482 RAO/COP Copyright Law : | 346.0482 SAI/POS Post-Copyright World |
Table of Contents:
Chapter 1. Introduction
Chapter 2. What is a "musical work"? : reflections on the origins of the "work concept" in western art music
Chapter 3. Music performed : what is beyond the score?
Chapter 4. Creativity and possessive interests
Chapter 5. The elements of music relevant for copyright protection
Chapter 6. Who wrote Duke Ellington's music? : authorship and collective creativity in "Mood indigo"
Chapter 7. Music and co-authorship/co-ownership
Chapter 8. For the benefit of all musicians? : the Musicians' Union and performers' rights in the UK
Chapter 9. How notice-and-takedown regimes create markets for music on YouTube : an empirical study